Being recognised for his passion, artistry and tenacity
Despite his shining star, a prudent Li began contemplating a future after ballet. The world of finance beckoned and for the next two years, he juggled dual careers of stockbroking and dance.
When he retired from the stage at age 38, Li found his place at Bell Potter, one of the biggest stockbroking firms in Australia, and established its Asian desk. In 2003, he published his autobiography, Mao’s Last Dancer, which shot to the top of Australia’s bestseller’s list, collected literary awards and was made into an award-winning movie.
But as it turned out, Li and ballet weren’t done with each other yet. In 2013, Li was named the Artistic Director of the Queensland Ballet, a role that he still holds today. Mary joined the Queensland Ballet’s Artistic Staff as Ballet Mistress that same year. As he looks back on his life’s trajectory, Li marvels at the transferable skills between the world of business and art.
“I discovered that I was able to use certain skills I’d learnt in ballet - like work ethic, resilience and tenacity – to build my success in stockbroking,” Li says. “And the skills I learnt in finance are now helping me at the Queensland Ballet.”
Li was named 2014 Queensland Australian of the Year in a nod to his passion for dance, devotion to artistic excellence and perseverance in the face of immense hardship. He says the award is an almost “underserving” honour.
“I’m humbled because there are so many others who’re just as incredibly successful in making a difference in our society. And if my life thus far has inspired others, then I have a lot more to give.”
In 2019, Li received an Order of Australia (AO) in the Queen’s Birthday Honours List for his distinguished service to the performing arts, particularly to ballet, as a dancer and as an Artistic Director.